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DTSTART:20260329T010000
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DTSTART;VALUE=DATE:20260918
DTEND;VALUE=DATE:20261219
DTSTAMP:20260719T011216
CREATED:20260625T075242Z
LAST-MODIFIED:20260701T101930Z
UID:62445-1789689600-1797638399@cemed.ugr.es
SUMMARY:un-writing nature
DESCRIPTION:Información importante\n\nSobre la realización de los cursos\nSobre la asistencia a los cursos y evaluación\n\nDirección\nAntonio Collados Alcaide\, Ph.D. in Fine Arts from the University of Granada \nCoordinación\nMercedes Villalba\, writer and researcher\, Ph.D. Postdoctoral researcher at the Faculty of Fine Arts in Granada \nIntroducción\nJute\, snakes\, clay\, petroleum\, landscapes\, Jupiter’s moons\, mycelium\, rope\, and the axe. The sea and hormones. Gender and oil paint. If your work brushes against ideas or materials that belong to the realm of the natural\, and if you have ever wondered where they come from\, how they came to be\, what histories lie behind the assemblages that compose them\, this seminar aims to provide the space and tools to pursue those questions.\nOur methodology will be genealogical\, rigorous\, and intuitive. In other words\, we will move away from the illusion of pure origins\, striving instead to trace the complex networks of incalculable agencies that culminate in the current state of a debate or a “natural” material. Together\, we will create a space to slow down our reading practices and experiment with becoming detectives\, archivists\, archaeologists\, and librarians of the ways in which nature intrigues us.\nArtists and curious minds working in any discipline are welcome\, whether at the beginning\, middle\, or end of a project\, or simply drawn to the subject itself. We will meet online each week and cultivate asynchronous collective spaces for reading\, writing\, and image-making. \nWe will read and study materials such as field guides\, biographies of dogs\, hybrid books in which authors and landscapes become entangled in processes of making and unmaking\, magazine articles that transform ways of seeing and reshape state policy\, treatises that brush against—or fully embrace—the mysticism of geological scales\, and ethnographies of the sea\, forests\, and sky. Films\, videos\, and animations about drugs\, gods\, and birds.\nIn the face of these materials\, we will ask questions such as: How do we write the nonhuman? How do we describe it? Where does authorship situate itself in relation to the natural—does it expose\, explain\, demonstrate\, describe\, dream\, speculate? Does it seep\, melt\, pollinate? Does it devour\, inform\, protect? How do we rewrite what has been naturalized? \nAttendees will be able to\n\nExplore the philosophical traditions and historical unfoldings that shape different aesthetics of “the natural”. \nCritically engage with discourses of nature.\nExercise and refine the methodological tools of disciplines such as science and technology studies\, anthropology\, and critical art studies. \nApply to their own work the potentialities of these explorations by building an archive of relevant tools and theories.\nReceive a completion certificate from the University of Granada \n\nIdiomas utilizados\nInglés
URL:https://cemed.ugr.es/curso/26on14/
CATEGORIES:Curso
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